This is topic Black Europeans in the Renaissance and Colonial Era in forum Deshret at EgyptSearch Forums.


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Posted by mena7 (Member # 20555) on :
 
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Benigno Bossi Portrait of a Woman Italy (1760) Engraving on Copper - Isolated Print, 123 x 90 mm. Parma, Biblioteca Parantina. The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African...

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Abdullah, Chief of Said Pasha's Bodyguard" (1873) Carl Haag. Watercolor.

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aseantoo submitted: “Christofano dell'Altissimo Alchitrof, Emperor of Ethiopia Italy (1568) Oil on panel Uffizi Gallery

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skemono submitted to medievalpoc: Portrait de Louis Aniaba, prince d’Assinie (XVIIe-XVIIIe s.) Bibliothèque nationale de France [X]

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Narcisse, servant of the Duc d'Orléans" by Louis Caroggis Carmontelle (1770)

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Prospero Fontana The Adoration of the Magi Italy (c. 1548) Gemäldegalerie, Berlin

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A European noble man of medieval Venice, Italy. Anonymous Sculptor (Venice) Portrait Bust of a Man Italy (early 16th Century) Polychromed Bronze, 27.9 cm. (H) [Bust of a black man wearing a doublet, a soft cap with a tassle, and...

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bust of a black youth in livery, anonymous venetian artist, italy (c. 1740s) carved polychrome marble, The Victoria and Albert Museum
 
Posted by mena7 (Member # 20555) on :
 
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Buste d'orientale", by Joseph Marie Le Guluche, 1896

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Anonymous Venetian Artist Bust of a Black Youth in Livery Italy (c. 1740s) Carved Polychrome Marble, 65.4 cm.

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Mauresque Noire “Black Moorish Woman,” Charles Cordier, 1856 - when others could not, he saw the beauty in dark skin waaaaay back when

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Moor ruler of Germany

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An early Victorian carved and painted figure of a Scotsman mid-19th century probably a tobacconist`s shop sign, the life size figure naturalistic carved, the base with thistles and raised on a square plinth, now with a removable dished circular tray 192cm. high; 6ft. 3½in.

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Alessandro Longhi Portrait of a Young Black Man Italy (c. 1760s) Oil on Canvas, 75 x 65 cm. The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois

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Saint Maurice Germany (1490) Polychrome and Gilded Wood
 
Posted by mena7 (Member # 20555) on :
 
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Exceptional Venetian Blackamoor in Marble, c.18th century from antiquingwithpamela on Ruby Lane-28,000$

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Bust, You are viewing a superb bronze bust depicting a young Venetian blackamoor boy. It’s a recasting of is a copy of a bronze created in 1907 by Anton van Wouw. The piece is called Shangaan.I hope the photos do this stunning piece some justice, it’s certainly more impressive in the flesh and would make a great addition to any home interiors scheme.

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Buhttps://s-media-cache-ak0.pinimg.com/564x/be/ce/9e/bece9e7542259b58626ecbf0c17dfa4d.jpgst of a Moor | Royal Collection Trust
 
Posted by mena7 (Member # 20555) on :
 
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Anonymous German Artist Saint Gregory Germany (c. 1520) Oil on Wood Panel, 102 x 47 cm. Köln, Katholische Pfarrkirche St. Gereon. (painted wing of a lost altarpiece)

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Germany (1524) Anonymous, School of Lucas Cranach I - Pfirtscher Altar, Left Wing: Saint Maurice Oil on Wood, left wing, 93 x 41 cm. München, Bayerische Staatsgemäldesammlungen.

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The African Knight Saint Maurice: 16th century German painting showing a black African in European Armour that served as a model for the painting of Saint Maurice.

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eremoniele Moor, 1724, One of the finest examples of a blackamoor in the arts is the Mohr mit Smaragdstufe ("Moor with Emerald Cluster"), in the collection of the Grünes Gewölbe in Dresden, Germany. It was created by Balthasar Permoser in 1724. The statue is richly decorated with jewels and is 63.8 cm (2.09 ft) high.

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Moorish Rite

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Continental Marble, Shell Inlaid, Gilt and Paint-Decorated Blackamoor.

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João António Correia: O negro, 1869. Museu Nacional de Soares dos Reis

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Bust of Said Abdullah of the Darfour People / 1848 /Charles Henri Joseph Cordier or old Russian
 
Posted by mena7 (Member # 20555) on :
 
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Arab and Berber (Moor) Portraits

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Moorish statue,before there were Europeans in Europe there were black people,which were known as moors

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The Moors (rulers of Europe) and their Legacy

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medievalpoc:Anonymous Portuguese Artist Reliquary Bust of Saint Benedict of Palermo Portugal (c.1750s) Polychrome Wood, 48 cm. Lisbõa, Igreja da Madre de Deus. Côro-alto. The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African American Research, Harvard University

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Ancient Moor

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Anonymous Italian Artist :: "Black Woman with Drape " Italian Polychrome Marble, 80cm, (c. 1640s) Milano, Museo Poldi Pezzoli.

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Germany (c. 1460) Anonymous German artist - Reliquary Bust of Saint Maurice. Polychrome and Gilded Wood Brühl, Katholische Pfarrkirche St. Margaretha.

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Unknown Venetian Artist Presepio Figure (Black Magus, Christmas Creche) Italy (c. 1790) Painted terracotta, glass, textile with metallic thread, sequins; 28 x 9.5 x 6 cm. The Walters Art Museum
 
Posted by mena7 (Member # 20555) on :
 
I like Afrocentric history because there is always a new knowledge to learn and a new artifact to discover.

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medievalpoc: “ Jean-Baptiste Pigalle Paul France (1760) Terracotta Portrait Bust, 61 cm. Read more about Paul, an enslaved man in Pre-Revolutionary France, here. ”

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Charles Cordier | Bust. Nègre en Costume Algérien or Nègre du Soudan, ca. 1857 | The Minneapolis Institute of Arts, Minneapolis, MN | Image of the Black in Western Art (Harvard University)

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Oil on canvas of a black gentleman in 18th century livery.

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Detail from Karel Van Mander III. Prince George of Denmark (1653-1708) son of Frederick III. Denmark, 1667. Black images in in Western Art (Harvard Uni)

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Haiti, known as the "jewel of the islands", was the first independent nation of Latin America and the Caribbean, the first black-led republic in the world, and the second republic in the Americas when it gained independence in 1804 as part of a successful slave revolution lasting nearly a decade. Our Heroes Toussaint Louverture and Jean Jacques Dessaline.

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Une autre vision sur Jean-Jacques Dessalines | Ezili Danto . Haiti news

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errit Dou Portrait of a Man Netherlands (1635) Oil on Wood, 22.5 x 18 cm. KØBENHAVN, Statens Museum for Kunst. The Image of the Black ...
 
Posted by mena7 (Member # 20555) on :
 
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Jacob Cornelisz van Oostsanen De Profeet Amos (The Prophet Amos) Netherlands (c. 1525) Print on paper, 57mm × 122mm. Rijksmuseum.

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This Byzantine inspired example is heavy on the gold leaf like many other pieces are. The flat silhouettes are used to tell stories in deep blues, oranges, reds, and browns. This appears to be painted on fresco over wood? Some natural texture is coming through

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Russian Quadripartite icon: 1. Saint Nicholas the Wonderworker and Archbishop of Myra in Lycia [† c. 345]. 2. Christ Pantocrator. 3. Holy Victory-bearer and Wonderworker George [† 303] slaying the Dragon. 4. Holy Great-martyr Paraskeva of Iconium [3rd C]. Age: XVIII Century

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Portrait of a Moor by Karel van Mander III. Circa 1640’s.
 
Posted by mena7 (Member # 20555) on :
 
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Unknown Artist National Palace Sintra, Portugal (c. 11th century)

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Etruria: The Black Etruscans, The Black Phoenicians, The Latins, The Romans

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Posted by Mike111 (Member # 9361) on :
 
quote:
Originally posted by mena7:

Moorish statue,before there were Europeans in Europe there were black people,which were known as moors

mena7 - Are you African?
 
Posted by mena7 (Member # 20555) on :
 
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Eugene Joseph Verboeckhoven (Belgian, 1798-1881) "Portrait of an Oriental Man" Oil on canvas, 2

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Portrait of a Black Officer by Emile-Jean-Horace Vernet (1830s) private collection. The subject of this painting may be Alexandre Dumas' father, his inspiration for the semi-biographical Count of Monte Cristo.


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King Richard II, son of Edward The Black Prince.

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The first real-life portrait of an English King Richard II, facing the West door in Westminster Abbey in London.

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The gallery where this was sold only says: “A Mulatto Gentleman, French Empire circa 1800 by Fabre.” The cut of his coat, with the heavy notched collar, means it probably wasn't much later than 1810. via MedievalPOC tumbler, which you would probably enjoy browsing

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Woman in a Blue Turban" (c. 1827) Ferdinand Victor Eugène Delacroix. Oil on canvas. Dallas Museum of Art, Texas, USA.
 
Posted by mena7 (Member # 20555) on :
 
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Francis Williams the Jamaican Mathematician and Poet, English c.1745

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Creole in a Red Turban, ca. 1840, oil on canvas by Jacques Guillaume Lucien Amans; The Historic New Orleans Collection,

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Anne-Louis Girodet de Roussy-Trioson, also given as Anne-Louis Girodet-Trioson or Girodet-Trioson (1767 – 1824), was a French painter. ~ "Portrait of Jean-Baptiste Belley"

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8th century Free woman of color  -
images of moors in paintings | Moorish

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Oil on canvas, previously attributed to Johann Zoffany, 1779 Dido Elizabeth Belle is depicted here with her cousin Elizabeth Murray. This painting scandalised many of it’s 18th century audience due to its portrayal of Belle, a woman of colour, in a non-subservient position. Considered to be one of the first paintings to do so, it was probably commissioned by Belle’s father Admiral Sir John Lindsay in the late 1770’s.

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One of the first paintings of a Muslim in Britain. The portrait of Ayuba Suleiman Diallo (1701-1773), aka Job Ben Solomon by William Hoare of Bath was painted in 1733. The Qatar Museums Authority purchased the painting at Christie’s in Nov 2009. The painting was the subject of export restriction, having been judged to be of outstanding importance to the history and culture of Britain. It has been offered to the National Portrait Gallery on a loan agreement.

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King Lebna Dengel of Abyssinia (Ethiopia). Contemporary portrait of Lebna Dengel by Cristofano Dell'Altissimo. Circa 1532. The beginning of the end of the Solomonic empire of Ethiopia came under Lebna Dengel.
 
Posted by mena7 (Member # 20555) on :
 
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Anonymous Artist (Devon); formerly att. Sir Joshua Reynolds Joe Green, Footman to the Quicke family of Newton St. Cyres England (1760s) discovered via research of Lucy MacKeith


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Moorish King ~ Painting showing the ruler of the Hafsid Dynasty King Mulay Ahmad. By Daniel Marques (cool-art) Taken on: April 3, 2010

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Oil painting of a Moorish Man with a headdress.

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Abd el-Ouahed ben Messaoud ben Mohammed Anoun (b.1558), Moorish Ambassador to Queen Elizabeth I

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Louis Benoît ZAMOR par Marie Victoire Lemoine, 1785 D'origine Indienne (né au Bengale ?), page de Madame du Barry

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Simon Willem Maris Portrait of a Young Black Woman Netherlands (1890s) 44 x 29 cm. Rijksmuseum, Amsterdam

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Dido Elizabeth Belle (1761-1804) daughter of Admiral Sir John Lindsay and an enslaved African woman known as Maria Belle. She was raised in England. Similar style portrait, though not American.

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Posted by mena7 (Member # 20555) on :
 
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Alphonse de Labroue [ French 1792-1863 ] AN AFRICAN NOBLE

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Hans BERG (1813-1874) Le jeune ottoman.

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Portrait of Mentor, half-length, seen from the front, his gaze directed into the distance at left; in military dress; composition set in an .

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Portrait de Jeune Noir avec Arc (portrait of a young African man with a bow) – by Hyacinthe Rigaud – c.1700.

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Portrait of the tambourinist John Fraser of the Coldstream Guards, c.1790 (Pharyah) Read about the Tambourine on

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Oil on canvas of a black gentleman in 18th century livery.

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William Matthew Prior (American artist, 1806-1873) Mrs. Nancy Lawson, wife of a Boston clothing merchant. 1843 (Prior-Hamblin School)
 
Posted by mena7 (Member # 20555) on :
 
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IMAGE OF A BLACKAMOOR IN 19TH CENTURY ITALIAN ART

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1600s - People of Color in European Art History

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Flemish/German. 1530-40. Portrait of a Wealthy African. Private Collection, Antwerp. or Sephardic Jewish merchant or banker

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Anton Domenico Gabbiani Portrait of Three... - People of Color in European Art History

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Additional Art of Medieval and Renaissance era Blacks in Europe

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A Moorish military musician in Berlin by Peter Schenk (c. 1690)

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Very Rare image of Henry II (972-1024) King of Italy and Germany also Holy Roman Emperor during the time of the Ottonian Dynasty. From the Sacramentary of Henry II (1002 -1014).
 
Posted by mena7 (Member # 20555) on :
 
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Germany Switzerland: "Schwertbrunnen" (Sword Fountain). In 1535 the wooden fountain was replaced by one of stone. Column is from 1520. It is named after Moor Kaspar (youngest of Three Holy Kings...

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Don Antonio Manuele de Funta, Ambassador of the King of the Kongo to the Pope." Baltimore Museum of Art. Rafaello Schiamiossi . Code name for Black Italian nobility because the Kongo and Lingala language is connected to Latin.

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Queen Sophia Charlotte was queen consort of the United Kingdom and wife to King George III of Britain. She is a direct descendant of the Sousa family, a black branch of the Portuguese Royal House. Her appearance was black, with full lips and distinct facial features. Artists of the 18th century were asked to tone down “extreme” features of their subjects, but Sir Allan Ramsay, an anti-slavery artist, always painted Queen Charlotte in her actual appearance.

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Belgium, Germany. The origins of every civilization is from people of color as proven, yet again, from this ancient statue.

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Engraving of Henry Stewart or Stuart, 1st Duke of Albany (7 December 1545 – 10 February 1567), styled Lord Darnley before 1565, was king consort of Scotland. He was a first cousin to and the second husband of Mary, Queen of Scots, and was the father of her son James VI of Scotland, who succeeded Elizabeth I of England as King James I of England.
 
Posted by mena7 (Member # 20555) on :
 
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The Princess Charlotte of Mecklenburg-Strelitz (1744-1818). She was a daughter of The Duke Carl and his wife, The Princess Elizabeth of Saxe-Hildburghausen. She was Queen of Great Britain (1761-1800) of the United Kingdom (1800-1818) of Hanover (1814-1818) as the wife of King George III. Her surviving children were Kings George IV, William IV, and Ernst August I, The Princes Frederick, Edward, Augustus, Adolphus, and The Princesses Charlotte, Augusta, Elizabeth, Mary, Sophia, & Amelia.

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Mozart was a Moor! This is what Mozart actually looks like. The image was found in a radio station in Belgium. The Moors (so-called 'Black' people) brought Classical Music to Europe. Not only that but when you read the REAL bios of him, he’s described as having brown skin, “negroid features” (broad, wide nose, etc) and wiry hair.

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Portrait of John Moore, Jr.

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Painting of Henri Christophe, First King of the Republic of Haiti (b. October 8, 1767 – d. October 8, 1820).

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Alessandro de' Medici (1510-1537) ruled Florence as its first Duke. The illegitimate son of Cardinal Giulio de' Medici and an African slave, he was called il Moro, the Moor. Alessandro had two children Giulio and Giulia with his mistress Taddea Malespina and through them the majority of the Italian noble houses are descended. There are many portraits of the Duke including Cristofano dell'Altissimo's (1525–1605) painting from the Giovio Series.

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Posted by mena7 (Member # 20555) on :
 
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Ozias Humphry, 'Baron Nagell’s Running Footman' c.1795

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Anonymous German Illuminator Drawing of a Reliquary for the Abbey of Halle-Saint Maurice Germany (1525) Illumination on Parchment (full page), 350 x 250 mm. Aschaffenburg, Hofbibliothek. The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African American Research, Harvard University

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“Unknown student of the Seminary of Painters The Western Kings on Horseback / 泰西王侯騎馬図屏風: King of Abyssinia Japan (1600s) Suntory Museum of Art, Tokyo [Source] Another incredible Japanese Christian painting from the Jesuit Seminary... or Roman Pope dress in pink.

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Ancient Black China - We can see that of the eight representatives of the various tribes, only two are pure Black men.

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Posted by mena7 (Member # 20555) on :
 
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Posted by mena7 (Member # 20555) on :
 
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Posted by osirion (Member # 7644) on :
 
Now that is interesting stuff.
 
Posted by IronLion (Member # 16412) on :
 
Great stuff Mena7... keep it coming..
 
Posted by CelticWarrioress (Member # 19701) on :
 
Mena7,

ROTFLMBO, Some of those people weren't even Black. No such thing as a Black European, just as there is no such thing as a White African or Asian. Go find your own history in Africa and stop trying to steal others'.
 
Posted by NabtaPlayaPlaya (Member # 20525) on :
 
CelticWarrioress,

Spoken like a true Kentuckian...There are aboriginal populations of very dark complexion peoples in southern Asia, Australia, and various islands in the Pacific and Indian Oceans. There is also evidence that early Europeans and Americans had blatantly
African characteristics (Grimaldi, Luzia Woman, etc.). Ancient Egyptians usually acknowledged as African, just not "Black African" seems to be fine, yet when someone points out Europeans, just not "White Europeans" it doesn't apply anymore. This is hypocrisy.
 
Posted by Fencer (Member # 22259) on :
 
quote:
Originally posted by NabtaPlayaPlaya:
CelticWarrioress,

Spoken like a true Kentuckian...There are aboriginal populations of very dark complexion peoples in southern Asia, Australia, and various islands in the Pacific and Indian Oceans. There is also evidence that early Europeans and Americans had blatantly
African characteristics (Grimaldi, Luzia Woman, etc.). Ancient Egyptians usually acknowledged as African, just not "Black African" seems to be fine, yet when someone points out Europeans, just not "White Europeans" it doesn't apply anymore. This is hypocrisy.

That moron is nothing but a hypocrite. Surprised so many people read Celtic's posts. Complete waste of time.
 
Posted by CelticWarrioress (Member # 19701) on :
 
NabtaPlayaPlaya,

Black Supremacist,Whitey hater. How is saying there is no such thing as a Black European AND NO such thing as a White African or White Asian hypocritical? Its the truth,seems your Black supremacist butt just has a problem with Blacks being told they aren't European (they aren't) & can't have European history, & to get out but has no problem with Whites being told they aren't African, can't have any part of African history,& to get out. That's a hypocrite for you.


Fencer,

Whitey hating Black supremacist, look at your own self, you are the epitome of hypocrite. You hate Whites, think Whites are inferior but yet you want to steal our history,our heritage, our homeland, harm our children. How's that for hypocrite mfer. You ignore because you have no response that wouldn't prove you as the Black supremacist White people hating pos you are.
 
Posted by mena7 (Member # 20555) on :
 
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Konstantin Makovsky (Russian, 1839-1915) 'Moor'

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Black Europeans

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Marten van Mytens III Portrait of a Young Black Man in Eastern European Livery Vienna (c. 1750) oil on canvas Height: 190.5 cm (75 in)W...

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Graman Quacy, Entdecker der Quassia (1690 - 1780) was a healer, botanist of great renown throughout the Netherlands. One of his remedies was a bitter tea he used to treat infections by intestinal parasites, based on the plant Quassia amara which is named after him, as the discoverer of its medicinal properties. Quassia is still used in industrially produced medicines today. In contemporary accounts he was described as "one of the most extraordinary black men in Suriname, and perhaps the worl...
 
Posted by Narmerthoth (Member # 20259) on :
 
Mena, Nice photos.

Photos are great in proving that high level blacks did exist in Europe as well as providing proof of European albino whitewashing of history.

In those times, it was common for people to maintain personal journals and memoirs of their lives which provided additional details of the intimate relations between them and European albinos, as well as other blacks of the time.
These personal records could then be used to establish what was the real social interactions of these historic figures and how much they actively participated in European domination of today's world.
Meaning, I wonder which of these were truly "Black-centric", socially neutral, or actively working towards the elevation of their own, versus those who would be considered traitors, working against their own.

As the old saying goes, "The hunting Dog, once the hunt is over, gets eaten".
 
Posted by Suliman (Member # 22767) on :
 
If blacks were indigenous to Europe what were the languages they spoke?
 
Posted by A Habsburg Agenda (Member # 21824) on :
 
Blacks are/were indigenous to every place. Just because those in Europe may not have been Bantu or Niger/Congo doesn't mean they were not black.

Everyone wants to restrict the word black to sub-Saharan Africans but over here at Egyptsearch black is not restricted to Africans.

Some of the languages they spoke are English, German, French, Swedish, Italian and any other European languages you can think of.
 
Posted by Suliman (Member # 22767) on :
 
quote:
Originally posted by A Habsburg Agenda:
Blacks are/were indigenous to every place. Just because those in Europe may not have been Bantu or Niger/Congo doesn't mean they were not black.

Everyone wants to restrict the word black to sub-Saharan Africans but over here at Egyptsearch black is not restricted to Africans.

Some of the languages they spoke are English, German, French, Swedish, Italian and any other European languages you can think of.

Those are indo European languages brought from the steppes.
 
Posted by mena7 (Member # 20555) on :
 
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1578 attr. to Cornelis Ketel - Portrait of Edward Gill.

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Lorenzo de Medici, Duke of Urbino. Married to Madeleine de La Tour d'Auvergne. Brera Altarpiece, after 1472, oil.

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Alessandro de Medici

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Buste d'orientale", by Joseph Marie Le Guluche, 1896

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Stefan VI Rares of King of Moldova

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Prince Dimitri XVII c. Located at Spaso-Preobrazhensky Solovetsky Monastery

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Vladimir Sviatoslavich the Great c. 958 – 15 July 1015, was a prince of Novgorod, grand prince of Kiev, and ruler of Kievan Rus' from 980 to 1015. According to the Primary Chronicle, he founded the city of Belgorod in 991. In 992 he went on a campaign against the Croats, most likely the White Croats that lived on the border of modern Ukraine. Vladimir continued to expand his territories capturing Polotsk and Smolensk and taking of Kiev in 978 where he was proclaimed knyaz of all Kievan Rus.

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Il Presepe Napoletano del '700: -Schede critiche 15 Reggia di Caserta.
 
Posted by mena7 (Member # 20555) on :
 
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School of Francois de Troy (Toulouse) Portrait of A “Mulatto” Aristocrat in Armor - France (c. 1680-1730) Oil on Canvas, 82.5 x 64.5 cm.via Christies

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Clouet: Henry III of France,1571

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Anonymous Follower of Giotto (Neapolitan School) The Adoration of the Magi Italy (1343) Tempera and Ground Gold on Wood Overall, with engaged frame, 26 1/8 x 18 3/8 in. (66.4 x 46.7 cm); painted surface, including tooled border, 21 3/8 x 15 in. (54.3 x 38.1 cm).

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Portrait of Francois de Montmorency. By Corneille de Lyon, 1570-74.

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Portrait of a Lady by Agnolo Bronzino

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Black Knight of France---

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Real picture of Beethoven

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An Ottoman Zeibek (Bir Osmanlı Zeybeği)
 
Posted by mena7 (Member # 20555) on :
 
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Unknown Gothic Master, sculptor Head of a Woman with Crown Hungary (c. 1360) Sandstone, height: 16 cm Hungarian National Gallery, Budapest

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Moroccan soldier

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The Moorish Warrior (Detail) by William Merritt Chase

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A Moor in Spain

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John VI (Portuguese: Dom João VI; 13 May 1767 – 10 March 1826) was King of the United Kingdom of Portugal, Brazil and the Algarves from 1816 to 1822, and, although de facto the United Kingdom over which he ruled ceased to exist, he remained so de jure from 1822 to 1825; after the recognition of Brazilian independence under the 1825 Treaty of Rio de Janeiro, he continued as King of Portugal and the Algarves until his death in 1826. He also had become Titular Emperor of Brazil for life

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Moroccan cavalier

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½ Penny - Barbados – Numista George III of England

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Posted by mena7 (Member # 20555) on :
 
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coin showing the 3 Brothers Thaler, 3 of the children of Christian I of Saxony (Dresden, 29 October 1560 – Dresden, 25 September 1591). He was Elector of Saxony from 1586 to 1591. His sons shown in the coin are Christian II (successor of his father as Elector), Johan Georg I (successor of his brother as Elector) and Augustus.

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Jan van Bijlert (1597/98-1671) Casper

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Louis Vigee

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Frederico Bartolini (Italian) Portrait Of An Arab Woman

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José Silbert (French, 1862-1936). Arab in a Red Headscarf, 1905

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Sibylla of Anjou (c. 1112–1165) was a countess consort of Flanders. She was the daughter of Fulk V of Anjou and Ermengarde of Maine, and wife of William Clito and Thierry, Count of Flanders.

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Portrait of a gentleman said to be Lorenzo Colonna - (after) Jacob Ferdinand Voet
 
Posted by mena7 (Member # 20555) on :
 
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Ludolf de Jongh: Portrait of Jan Jansz. van Nes (1631-80), vice-admiral of Holland and West-Friesland (1666)

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MORONI, Giovanni Battista Portrait of a Soldier 1555-59

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Portrait of Cosimo I de Medici ~Agnolo Bronzino c. 1544 to 1545 Oil on panel 86 x 67 cm Art Gallery of New South Wales 78. 1996 , Sydney, New South Wales, Australia

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French king Louis XIV wanted to strengthen royal power and boost revenues from his overseas empire to New France. He sent out settlers and soldiers to North American, by the early 1700s, French forts, missions, and trading posts stretched from Quebec to Louisiana.

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Sir Francis Drake (1540-1596), a legendary explorer for Queen Elizabeth I and a bit of a pirate....ahem, privateer... gathering a fantastic amount of booty-the old fashioned kind-from the Spanish. He also circumnavigated the globe, third after Magellan and some guy I'd never heardof-García Jofre de Loaísa. See:

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Dido Elizabeth Belle (1761-1804) was the daughter of Admiral Sir John Lindsay and an enslaved African woman known as Maria Belle. Dido was recognised by her father and raised by his family in Scotland receiving the most complete education for a lady of her time.
 
Posted by Ish Gebor (Member # 18264) on :
 
quote:
Originally posted by CelticWarrioress:
Mena7,

ROTFLMBO, Some of those people weren't even Black. No such thing as a Black European

Do you not see the images?
 
Posted by CelticWarrioress (Member # 19701) on :
 
Troll Patrol,

Yes I do and some of those people were not Black. Some were some were not. I stand by what I said, there is no such thing as a Black European the same as there is no such thing as a White African.
 
Posted by Ish Gebor (Member # 18264) on :
 
quote:
Originally posted by CelticWarrioress:
Troll Patrol,

Yes I do and some of those people were not Black. Some were some were not. I stand by what I said, there is no such thing as a Black European the same as there is no such thing as a White African.

Some where, that is all wanted to hear, dear.
 
Posted by mena7 (Member # 20555) on :
 
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Anglo-Saxon gold shilling, c. 660, Two Emperors type.

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Inventing the Penny: Charlemagne’s Lost Effort at a Standard Currency -- (English Penny from the twelfth century featuring King John.)

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Silver early penny, Series Z, c. 715-20; the bearded and moustached face contrasts with the clean-shaven appearance of the previous coin. CM.1614-2007, De Wit Collection.

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Rare English Gold Sovereign of Queen Mary | Sovereigns are large, thin gold coins that feature imposing portraits of the respective monarch. The Mary I Gold Sovereign coin was issued under the authority of the first Queen Regnant of England, Mary Tudor (Mary I), daughter of Henry VIII. She was also the the grand-daughter of Queen Isabella and King Ferdinand of Spain.

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The Gold Ryal, also known as the Rose Noble, was an English gold coin first issued in 1464, during the "first reign" of Edward IV (1461-1470). From the 1430s onwards, the price of gold had been rising, with the result that the gold noble, which had been in use since 1344, was worth more on the continent than in England. The nobles were exported en masse to the continent for profit, resulting in a shortage of the coins.
 
Posted by mena7 (Member # 20555) on :
 
Mena:The evidence of European Middle Age coins show that many European Kings were Black people.Even the Visigoth King who suppose to be White German appeared as a Black man with breaded hair on the middle Age coins. I know now why historian call the Middle Age the Dark age, maybe it is not because of the backwardness after the fall of the Roman empire but because the European kings were Black men.


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English coins Silver Long-Cross Penny of King Henry III. (Class 5c) British and old English coins Silver Long-Cross Penny of King Henry III. Coins of the UK, Great Britain Coins, British coins, English Coinage, Long Cross Pennies.

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Ireland: Hiberno-Norse. Phase III (c.1035-60) Penny (obverse)

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Silver early penny, Series Q1g, c. 725-40, bearing facing bust. CM.1890-2007, De Wit Collection.

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Ireland: Hiberno-Norse. Phase II (c.1015-35) Penny in the Name ofSihtric Anlafsson (obverse)

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Silver early penny, Series Q, East Anglia, c. 720-40, lent by Lord Stewartby

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Henry VIII (1509-1547) - Silver Testoon | AMR Coins

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A pattern penny of Queen Elizabeth, dated 1601 ancient-coins

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Triens of Recared I, King of Visigoths in Spain, Verso. Visigothic coins, 6th century
 
Posted by mena7 (Member # 20555) on :
 
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Gold triens of Recared I, King of Visigoths in Spain, Verso, Visigothic coins, 6th-7th century

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Signet ring Alaric II King of the Visigoths, circa 507

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Saint Démétrios 1st part of 11 th C
 
Posted by CelticWarrioress (Member # 19701) on :
 
Mena7,

Come off it. NONE of those people were Black. Stop trying to steal what is not yours to claim. White children have the right to know who they are, where they come from, who their ancestors were. They have a right to knowledge of self, a right to feel pride in their people. They have a right to know their history, their heritage, their identity. They have a right to their homeland. They have a right to look at ancient artifacts in Europe (paintings, statues,figurines,remains) and see themselves in those depictions. All things you and your Black racist Black supremacist ilk are trying to rob them of. You want them to walk lost in this world wondering who they are, where they come from. Not knowing their history, thinking they have none. Thinking they have no homeland nowhere they belong. You want them to look at all ancient artifacts even in Europe and think where's mine, where's my people's where do I fit in, feeling no pride. That's just wrong.
 
Posted by mena7 (Member # 20555) on :
 
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Saint Demitrios, Byzantine Ivory Ikon, very rare design.

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12th C steatite with Paramerion

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12th C modified by crusader owner
 
Posted by Thereal (Member # 22452) on :
 
Nice find.
 
Posted by Ish Gebor (Member # 18264) on :
 
Nice, thread.
 
Posted by mena7 (Member # 20555) on :
 
Thanks the real and Ish Gebor. Celtic Warrior dont be racist and egotistical, the Black European monarchs that ruled Europe were not only the Kings of Black people they were also the king of White people. The Black European monarchs in that thread were the kings and emperors of your White ancestors Celtic Warrior. Tell your children those ancient Black Kings are their kings and the White European kings and queens of today are the descenndants of the Black European kings and queens.The Black race is the mother and father of the White race so the Black monarchs are also your monarchs Celticwarrior.

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Steatite 12th C swords and shields

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- Visoki Dečani (SERBIA) Monastery St. Theodore Tiro (Tyro), fesco from the north choir of the Dečani church nave,
 
Posted by mena7 (Member # 20555) on :
 
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Black Pope, probably Pope Francis.


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Coin of Lorenzo De Medici
 
Posted by vanilla (Member # 22812) on :
 
Thank you.
ไข่ปลาคาเวียร์ อัญมณีสีดำ
 
Posted by the lioness, (Member # 17353) on :
 
 -
15th or 16th century terra-cotta bust, Lorenzo de' Medici
 
Posted by the questioner (Member # 22195) on :
 
Ive notice that the lioness and mena are polar opposites

The lioness limits black history to Sub-Saharan Africa and slavery
(black people have a history outside of these fields such as ancient Egypt and Moors)

Mena over-expands black history to include the whole world outside of Africa
(i get that there are black people outside of Africa but everyone's history is not black)
 
Posted by the lioness, (Member # 17353) on :
 
wrong, mena and I both posted Lorenzo de' Medici and there was no discrepancy between the images

he looks like one of the lighter skinned Igbos
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
wrong, mena and I both posted Lorenzo de' Medici and there was no discrepancy between the images

he looks like one of the lighter skinned Igbos

^^^ your using sarcasm

both you and mena are opposites
 
Posted by the lioness, (Member # 17353) on :
 
you have the wrong type of opposite.
The difference is in methodology. Anything I don't see thoroughly investigated I will take issue with. For instance the conclusions of the authors of the Abusir study. I can't agree with that. They make broad assumptions based on a limited sample.
I have at least four threads on books about black Europeans. They get few replies. People would rather look at pictures and make up the stories
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
you have the wrong type of opposite.
The difference is in methodology. Anything I don't see thoroughly investigated I will take issue with. For instance the conclusions of the authors of the Abusir study. I can't agree with that. They make broad assumptions based on a limited sample.
I have at least four threads on books about black Europeans. They get few replies. People would rather look at pictures and make up the stories

no
all you do is copy and paste with no primary sources

you use the same methods as mena because you regurgitate alot of information that you your self have not investigated or can verify.

Both you and mena are in the same boat, just at different ends of the boat.

for example
your thread on Angelo Soliman was typical copy and paste with no primary sources or originality

your version of black history is only limited to two categories Sub-Saharan Africa and Slavery

your version of Black European history will fall in the slavery category
 
Posted by the lioness, (Member # 17353) on :
 
quote:
Originally posted by the questioner:
quote:
Originally posted by the lioness,:
you have the wrong type of opposite.
The difference is in methodology. Anything I don't see thoroughly investigated I will take issue with. For instance the conclusions of the authors of the Abusir study. I can't agree with that. They make broad assumptions based on a limited sample.
I have at least four threads on books about black Europeans. They get few replies. People would rather look at pictures and make up the stories

no
all you do is copy and paste with no primary sources

you use the same methods as mena because you regurgitate alot of information that you your self have not investigated or can verify.

Both you and mena are in the same boat, just at different ends of the boat.

for example
your thread on Angelo Soliman was typical copy and paste with no primary sources or originality

your version of black history is only limited to two categories Sub-Saharan Africa and Slavery

your version of Black European history will fall in the slavery category

Again, I have at least four threads on blacks in Europe. So you saying that my version of black history is only limited to two categories Sub-Saharan Africa and Slavery has no basis.
I also have other threads on specific black Europeans

And if you have something to produce on blacks in Europe that is a primary source you should do it, otherwise you are just bluffing and blowing hot air. You have nothing on the table right now, just mad because I provide context and background information when people delve into fantasy history. Let's see if you can come up with something black European I haven't covered already
However it's quite peculiar how "European" used to be an oppressor category but now there is a whole movement on the internet to try to be them.

---------------------------------------------------

check my resume before mouth flapping
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
quote:
Originally posted by the questioner:
quote:
Originally posted by the lioness,:
you have the wrong type of opposite.
The difference is in methodology. Anything I don't see thoroughly investigated I will take issue with. For instance the conclusions of the authors of the Abusir study. I can't agree with that. They make broad assumptions based on a limited sample.
I have at least four threads on books about black Europeans. They get few replies. People would rather look at pictures and make up the stories

no
all you do is copy and paste with no primary sources

you use the same methods as mena because you regurgitate alot of information that you your self have not investigated or can verify.

Both you and mena are in the same boat, just at different ends of the boat.

for example
your thread on Angelo Soliman was typical copy and paste with no primary sources or originality

your version of black history is only limited to two categories Sub-Saharan Africa and Slavery

your version of Black European history will fall in the slavery category

Again, I have at least four threads on blacks in Europe. So you saying that my version of black history is only limited to two categories Sub-Saharan Africa and Slavery has no basis.
I also have other threads on specific black Europeans

And if you have something to produce on blacks in Europe that is a primary source you should do it, otherwise you are just bluffing and blowing hot air. You have nothing on the table right now, just mad because I provide context and background information when people delve into fantasy history. Let's see if you can come up with something black European I haven't covered already
However it's quite peculiar how "European" used to be an oppressor category but now there is a whole movement on the internet to try to be them.

---------------------------------------------------

check my resume before mouth flapping

im going to call your bluff

What is the legacy of Angelo Soliman?
(please no copy and past history)
 
Posted by the lioness, (Member # 17353) on :
 
Angelo Soliman's legacy was changing free masonry rules to allow the reading of scientific papers within the lodges, the spreading of scientific thought
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
Angelo Soliman's legacy was changing free masonry rules to allow the reading of scientific papers within the lodges, the spreading of scientific thought

where is your primary sources?
 
Posted by the lioness, (Member # 17353) on :
 
Don't be a knucklehead. You never even heard of this guy until I made a thread on him. Now you're playing games


quote:
Originally posted by the questioner:

light skinned images are actually representations of gold


And you have a primary source for this and numerous other posts?
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
Don't be a knucklehead. You never even heard of this guy until I made a thread on him. Now you're playing games


quote:
Originally posted by the questioner:

light skinned images are actually representations of gold


And you have a primary source for this and numerous other posts?
so basically you have no primary source
im not surprised
that is why i put you in the same boat as mena

nefertari was my primary source on on the light skin thread
 
Posted by the lioness, (Member # 17353) on :
 
quote:
Originally posted by the questioner:

light skinned images are actually representations of gold


Again, you have no primary source for that statement that yellow skin represents gold.

This is just one statement which you have no primary source for.
After this we will go one by one into various claims you have made and see if you have listed a primary source
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
quote:
Originally posted by the questioner:

light skinned images are actually representations of gold


Again, you have no primary source for that statement that yellow skin represents gold.

This is just one statement which you have no primary source for.
After this we will go one by one into various claims you have made and see if you have listed a primary source

again
nefertari was my primary source on the light skin thread

Hathor is called the golden one (nbwt) in ancient Egyptian texts
 -
^^^ try to disprove this source

i always provide primary sources
 
Posted by the lioness, (Member # 17353) on :
 
quote:
Originally posted by the questioner:


Ancient Egyptian men took on foreign wives and light skinned images are actually representations of gold

 -
^^^
notice the difference in complexion on the same woman [/QB]

Here you say that Egyptian women had foreign wives

and in the same sentence you say light skinned images are actually representations of gold.

That doesn't make sense. If the subject is Egyptian men having foreign wives light skinned images representing gold has nothing to do with foreign wives. Logically it should be two separate thoughts, not associated with one another and requiring two separate sentences and it would still be inexplicable if these two sentences followed each other.
But you are confused

That aside you say light skinned images are actually representations of gold.
So apparently you don't know what a "primary source" is. Merely showing a yellow figure does not prove it was intended to be gold. That would have to shown in an Egyptian text.
- which you have not provided. You have merely copy and pasted a picture and made a claim lacking a primary source , plus you didn't even know the goddesses name until Djehuti mentioned it
 
Posted by the lioness, (Member # 17353) on :
 
quote:
Originally posted by the questioner:


there is documentation that Egypt had many wars with Europeans such as the goths, Thracians, Spaniards, and Scythians via sesotris

^^ absurd psuedo-historical claims with no primary source
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
quote:
Originally posted by the questioner:


Ancient Egyptian men took on foreign wives and light skinned images are actually representations of gold

 -
^^^
notice the difference in complexion on the same woman

Here you say that Egyptian women had foreign wives

and in the same sentence you say light skinned images are actually representations of gold.

That doesn't make sense. If the subject is Egyptian men having foreign wives light skinned images representing gold has nothing to do with foreign wives. Logically it should be two separate thoughts, not associated with one another and requiring two separate sentences and it would still be inexplicable if these two sentences followed each other.
But you are confused

That aside you say light skinned images are actually representations of gold.
So apparently you don't know what a "primary source" is. Merely showing a yellow figure does not prove it was intended to be gold. That would have to shown in an Egyptian text.
- which you have not provided. You have merely copy and pasted a picture and made a claim lacking a primary source , plus you didn't even know the goddesses name until Djehuti mentioned it [/QB]

hathor is called the golden one

Hymn from the Sanctuary of the Temple of Dendera

"Adoration to You, , the Golden One
Mistress of Iunet,
The August and Powerful One in the Sanctuary-of-the-August-One,
The One who shines like gold in the Temple-of-the-Sistrum,
The Atenet in the Land of Atum!
I adore Your Majesty with Your heart's desire.
I invoke Your Image with the sacred texts,
I exalt Your Ka to the height of heaven,
I worship Your Image to the limits of the rays of the Aten.

Come in peace, progress in joy,
Your heart is sweetened by hearing prayers,
Het-Hert the Great, Mistress of Iunet,
The Eye of Ra, Mistress of Heaven,
Sovereign of All the Gods,
The Great Uraeus, the Mistress of the Great Sanctuary,
Your beautiful face is satisfied with your beloved son,
The King of Upper and Lower Egypt,
Master of the Two Lands, eternally."

Hathor is depicted on many monuments as golden

Egyptians took on foreign Asiatic wives

example
One of the "Amarna Letters" negotiating a marriage between Amenhotep III and Tushratta's daughter Tadukhipa
 -
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
quote:
Originally posted by the questioner:


there is documentation that Egypt had many wars with Europeans such as the goths, Thracians, Spaniards, and Scythians via sesotris

^^ absurd psuedo-historical claims with no primary source
Sesostris was called emperor of the world
"you (senwosret I)have subdue what the sun encircles" story of sinhue

Goths, Thracians, Spaniards, and Scythians had no written history during the reign of sesostris however they do have ancient oral tradition that was passed down that discusses their war with sesostris

Example
The War of Vesosis (sesostris) the egyptian and Tanausis the goth
 
Posted by the questioner (Member # 22195) on :
 
Im still waiting on your primary source for Angelo Soliman
 
Posted by the lioness, (Member # 17353) on :
 
quote:
Originally posted by the questioner:
hathor is called the golden one

Hymn from the Sanctuary of the Temple of Dendera

"Adoration to You, , the Golden One
Mistress of Iunet,



So I was right, you only dig up sources when asked

quote:
Originally posted by the questioner:

light skinned images are actually representations of gold


quote:
Originally posted by the lioness,:


Sennefer and Hatshepsut-Meryetre  -

 -
 -



That would not explain these portraits of women who are not gods. Women don't have golden skin.

quote:
Originally posted by the questioner:

Hathor is depicted on many monuments as golden



what do you mean "monuments"
statues, tomb wall paintings?

quote:
Originally posted by the questioner:

Egyptians took on foreign Asiatic wives


what does that have to do with anything?
 
Posted by the lioness, (Member # 17353) on :
 
quote:
Originally posted by the questioner:


What is the legacy of Angelo Soliman?

I have no idea, you tell me I haven't seen the primary sources, they are hard to find.
 
Posted by the questioner (Member # 22195) on :
 
quote:
the lioness

That would not explain these portraits of women who are not gods. Women don't have golden skin

and men are not half lions
 -

ancient Egyptian women payed homage to hathor because she was the goddess of mothers and wives
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
quote:
Originally posted by the questioner:


What is the legacy of Angelo Soliman?

I have no idea, you tell me I haven't seen the primary sources, they are hard to find.
so you have no primary source but yet you made the claim


[Roll Eyes]
smh
 
Posted by the lioness, (Member # 17353) on :
 
 -


quote:
Originally posted by the the lioness

That would not explain these portraits of women who are not gods. Women don't have golden skin

quote:
Originally posted by the questioner

ancient Egyptian women payed homage to hathor because she was the goddess of mothers and wives

quote:
Originally posted by the questioner:


Egyptians took on foreign Asiatic wives

example
One of the "Amarna Letters" negotiating a marriage between Amenhotep III and Tushratta's daughter Tadukhipa

Make up your mind
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
 -


quote:
Originally posted by the the lioness

That would not explain these portraits of women who are not gods. Women don't have golden skin

quote:
Originally posted by the questioner

ancient Egyptian women payed homage to hathor because she was the goddess of mothers and wives

quote:
Originally posted by the questioner:


Egyptians took on foreign Asiatic wives

example
One of the "Amarna Letters" negotiating a marriage between Amenhotep III and Tushratta's daughter Tadukhipa

Make up your mind

^^^ all the above
 
Posted by the lioness, (Member # 17353) on :
 
quote:
Originally posted by the questioner:
quote:
Originally posted by the lioness,:
 -


quote:
Originally posted by the the lioness

That would not explain these portraits of women who are not gods. Women don't have golden skin

quote:
Originally posted by the questioner

ancient Egyptian women payed homage to hathor because she was the goddess of mothers and wives

quote:
Originally posted by the questioner:


Egyptians took on foreign Asiatic wives

example
One of the "Amarna Letters" negotiating a marriage between Amenhotep III and Tushratta's daughter Tadukhipa

Make up your mind

^^^ all the above
So the light skin is a natural skin tone of foreign women yet at the same time the light skin is symbolically paying homage to Hathor, yeah that makes sense
 
Posted by the questioner (Member # 22195) on :
 
quote:
Originally posted by the lioness,:
quote:
Originally posted by the questioner:
quote:
Originally posted by the lioness,:
 -


quote:
Originally posted by the the lioness

That would not explain these portraits of women who are not gods. Women don't have golden skin

quote:
Originally posted by the questioner

ancient Egyptian women payed homage to hathor because she was the goddess of mothers and wives

quote:
Originally posted by the questioner:


Egyptians took on foreign Asiatic wives

example
One of the "Amarna Letters" negotiating a marriage between Amenhotep III and Tushratta's daughter Tadukhipa

Make up your mind

^^^ all the above
So the light skin is a natural skin tone of foreign women yet at the same time the light skin is symbolically paying homage to Hathor, yeah that makes sense
Sometimes the yellow skin could be the complexion of a foriegner

Sometimes the yellow skin can be the symbol for gold to showcase hathor

makes perfect sense
 
Posted by mena7 (Member # 20555) on :
 
 -
Emperor Henri Christophe (Henry Christopher)

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Portrait medal of Isotta degli Atti, 1453-1455. This cast bronze object, dating to 1453-1455, is an early example of a Renaissance portrait medal. The piece was commissioned to commemorate an Italian beauty called Isotta Degli Atti who was celebrated for her incredible gorgeousness. Isotta was the mistress, and, later the third wife of Sigismondo Malatesta, Lord of Rimini.

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Monete & Banconote > Gettoni e Medaglie > Italia > Altri - Delcampe.it

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Pisanello, Three-Faced Medallion

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The Infante Philip of Spain, later Philip II of Spain (1527–98, r. 1556) Artist: Medalist: Leone Leoni (Italian, Menaggio ca. 1509–1590 Milan) Date: 1549 Culture: Italian Medium: Bronze, brown patina, cast Dimensions: Diam. 3 1/4 in. (83 mm.)

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Artemide Aste - Asta XXVI: 1250 - Eugenio IV (1431-1447) Medaglia di restituzione (metà XVIII sec.) - Dea Moneta


 -
 
Posted by mena7 (Member # 20555) on :
 
 -

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Göktürk Parası. M.S.6-7yy.

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 -

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Philippe VI de Valois gold Double Royal d'or ND (1328-50), 1st emission, April 6, 1340, King on Gothic throne with scepter and fleur de lis/Floriated cross in quadrilobe An extremely rare type, seldom offered

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Artemide Aste - Asta XXVI: 677 - Firenze Giovanni Battista Michelozzi (1521-1604),architetto e scultore,senatore nel 1594 Medaglia fusa 1599 eseguita per l'inizio della costruzione dell'altare maggiore e della tribuna della Chiesa di Santo Spirito a Firenze,su disegno del Caccini - Dea Moneta
 
Posted by mena7 (Member # 20555) on :
 
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Artemide Aste - Asta XXVI: 1260 - Gregorio XIII (1572-1585) Medaglia 1582 per la fondazione del Collegio Romano - Dea Moneta

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Artemide Aste - Asta XXVI: 1299 - Argentina Pallavicini,poetessa e botanica (m.1550),moglie di Guido Rangoni,signore di Spilamberto. Medaglia celebrativa - Dea Moneta

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Medal Louis XII, King of France (r. 1498–15155), and Anne of Brittany (1476–1514) Date: ca. 1499 Geography: Made in Lyon, France Culture:
 
Posted by mena7 (Member # 20555) on :
 
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Chilpéric II Roi de Neustrie la fin de la dynastie des mérovingiens

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Frankish gold Tremissis, imitation of Byzantine Tremissis, mid-500s

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Visigoths for Kids - The Visigoths and the fall of Rome - early Middle Ages
 
Posted by mena7 (Member # 20555) on :
 
http://www.dailymail.co.uk/news/article-5531133/Black-Tudors-England-early-immigrants-treated-equals.html

The black Tudors of England: African porter who whipped a white servant is among 350 stories revealing how early immigrants were treated as equals in the Elizabethan era
Case of Edward Swarthye saw him whip fellow white slave on orders of employer
He appeared at court to confirm that he whipped John Guy on employer's orders
His story suggests that early black immigrants were treated as equals by Tudors
Jaques Francis's tale saw him help salvage the wrecked Mary Rose warship
His employer went on trial and Francis was invited to give evidence in a court
This came despite other witnesses claiming he could not because he was a slave

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Portrait of an African or Holy Roman Emperor Charles V according to MikeIII.

Mena: West African merchants travelled and traded in Western Europe during the Middle Age and Renaissance era. I think the European museums have the paintings of the West African merchants and princes living in Western Europe. the museums keep them secret.

Dederi Jaquoha, merchant and prince

The son of King Caddi-biah, Jaquoah was ruler of a kingdom in modern Liberia. He arrived in England in 1610 and was baptised in London on New Year's Day 1611. He spent two years in the country with a leading merchant.

Hananiah Israel Black People Ruled Russia and All Europe during the Dark Ages.
https://www.youtube.com/watch?v=tHe4sc4348I
 
Posted by SaxonQueen (Member # 22837) on :
 
Afrocentric Black supremacist nonsense. No such thing as a Black European and none of those portraits or coins depict Black people. That portrait with the Black man is NOT Charles V either. When are you Black supremacist Anti-Whites going to find your own history in AFRICA and stop trying to steal others histories. As I have stated before, White children have a right to their history, their ancestors, their homeland,etc without you trying to rob them of it.
 
Posted by Lion (Member # 22807) on :
 
You're going to worry about the sun, everyone knows you're a liar class.


quote:
Originally posted by SaxonQueen:
Afrocentric Black supremacist nonsense. No such thing as a Black European and none of those portraits or coins depict Black people. That portrait with the Black man is NOT Charles V either. When are you Black supremacist Anti-Whites going to find your own history in AFRICA and stop trying to steal others histories. As I have stated before, White children have a right to their history, their ancestors, their homeland,etc without you trying to rob them of it.


 
Posted by mena7 (Member # 20555) on :
 
 -
ITALY Italian States AREZZO REPUBLIC Silver Medieval Coin ST DONATUS

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CRUSADERS of Antioch Tancred Ancient 1101AD Byzantine Time Coin St Peter

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Richard I (1189-1199), short cross penny Rhuddlan mint, group I. Moneyer Halli.
 
Posted by mena7 (Member # 20555) on :
 
 -
Maxine Helfman Tackles Complex Racial Issues By Taking Photographs Of Black Models Posing In Flemish Traditional Costumes

http://www.beautifuldecay.com/2015/09/14/maxine-helfman-tackles-complex-racial-issues-taking-photographs-black-models-posing-flemish-traditional-costumes/

Mena: I am speculating that photographer Maxine Helfman saw the paintings of Black Dutch nobility, merchants and banking family in private collection and symbolically show them to the public by using photographs and Black models.

 -

 -

 -

Black models dressed up in traditional Flemish costumes. Maxine Helfman takes photographs the way Old Masters would have portrayed high society in the 17th century. In this series called “Historical Correction”, the artist offers the option of a reverse history. She wants to create a past that never existed. Her purpose is to create a dialogue with the viewers.

Using the same white collars, hats and black tunics. Even the poses are similar, mostly directly looking into the camera, only portraits and a use of lighting which features the faces. She doesn’t use a frame in order to keep the focus on the portraits. Maxine Helfman confirms that she was very careful on how approaching this project. Being a white women herself, she didn’t want to create confusion around a sensible subject.

By creating fictional narratives, she gives another outlook on history and culture. She directs the issues of race by looking at a different society in another time. The photographs are an indirect testimony that race and class are nowhere to be parted. Using art as a mean to express an idea, to make a statement; her series is not to be looked at as a final fact. She opens the door to a discussion about race, equality and how these issues are dealt within their country, wherever the viewers are. “All of my projects begin with that concept….it is the conversation that is generated that is fascinating…..positive and negative”

 -

 -

 -

 -
 
Posted by mena7 (Member # 20555) on :
 
 -
CRUSADERS of Antioch Tancred Ancient 1101AD Byzantine Time Coin St Peter

 -

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Maxine Helfman - Historical Correction serie
 


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