Photos of the Arms and inside and out of the House Of Blackheads in Riga, Latvia. The Brotherhood of Blackheads was founded in 1399 for German merchants and ship owners. The House built at the same time. Destroyed in the 40’s by the Nazis and Soviets and rebuilt in 2001.
"A black European Saint: The martyrdom of St Maurice in a Missal of Bilzen" Posts: 2922 | From: World Empire of the Black People | Registered: Jul 2011
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quote:Originally posted by malibudusul: House Of Blackheads in Riga
Photos of the Arms and inside and out of the House Of Blackheads in Riga, Latvia. The Brotherhood of Blackheads was founded in 1399 for German merchants and ship owners. The House built at the same time. Destroyed in the 40’s by the Nazis and Soviets and rebuilt in 2001.
BARBARY SLAVE (1955) It was unthinkable that innocent Eve Doremus of Boston would be forced to parade her naked beauty in a Barbary Coast slave mart. Or that the blond giant who guarded the Sultan's female chattels would be a U.S. Marine lieutenant. Yet anything was possible in exotic, violent, 19th Century Tripoli. Amid the love-making, intrigues and tortures of the Pasha's pagan court, Eve and her marine—Stephen Fletcher—fell in love. But their romance was destined to face every temptation and peril as they loved and battled their way to freedom.
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Beautiful picture of black European wearing European armor, European clothings, European hats and European shoes.They also carry European sword and knife.
Malidibusul if you want to see more erotic postcard go to realhistoryww.com click Egypt 10 and click the postcard link .Also click Etruria 2 then click the Pompey link to see Roman erotic pictures.
The secret of secret website seem to have great esoteric books.
quote:Originally posted by Bonampak420: Originally posted by Mike111: Does anyone know what painting this is a part of?
Thank you Bonampak420, boy that was quick!
Place of origin: England, Britain (made)
Date: ca. 1520 (made)
The magi ('wise men') were traditionally astrologers of the Persian court and priests of the cult of Mithras, but were later redefined as kings, based on a similar story of royal gift-giving in the Old Testament (Psalms 72:10). In the early Middle Ages (by about 750), they were given names, Caspar, Melchior and Balthasar, and were said to come from the kingdoms of Tarshish, Sheba and Seba (Seba was thought to be an ancient name for Ethiopia). From about the 15th century, Balthazar, the black magus/king associated with Ethiopia became a familiar figure in European images of the Adoration of Christ at his birth. The three magi/kings were also depicted as representatives of the three known continents - Europe, Asia and Africa (America only became known to Europeans at the end of the 15th century), or the three ages of life - old age, middle age and youth.
The painted composition of the Adoration of the Magi on this woodwork closely resembles representations of the subject in three Devon churches, but it is not known from which church this panel came, presumably along with the rest of the rood screen of which it formed a part.
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whay about the other painting with three black men? What is the source of that, title etc ? It's a really beautiful painting
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quote:Originally posted by the lioness,: whay about the other painting with three black men? What is the source of that, title etc ? It's a really beautiful painting
do you wish f*ck with three black men? Say the true!
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Malibudisul another great find.Beautiful painting of a Moorish king coming in a boat to visit Europe.The Moorish king is being received by Two European kings.I dont know how you find those rare paintings.You shoud be rename Moorbudisul.
quote:Originally posted by mena7: Malibudisul another great find.Beautiful painting of a Moorish king coming in a boat to visit Europe.The Moorish king is being received by Two European kings.I dont know how you find those rare paintings.You shoud be rename Moorbudisul.
Calm yourself mena7, this is merely more Albino bullsh1t. Please trouble yourself to read the text for the picture:
(The three Magi meet at the crossroads on their journey to Jerusalem.)
The Magi, also referred to as the (Three) Wise Men, (Three) Kings, or Kings from the East, were, according to Christianity, a group of distinguished foreigners who visited Jesus after his birth, bearing gifts of gold, frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of the Christian tradition.
Traditions identify a variety of different names for the Magi. In the Western Christian church they have been commonly known as:
Melchior (also Melichior), a Persian scholar Caspar (also Gaspar, Jaspar, Jaspas, Gathaspa, and other variations), an Indian scholar Balthazar (also Balthasar, Balthassar, and Bithisarea), an Arabian scholar
So you see mena7, by rights all of them should be Black.
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quote:Originally posted by Mike111: (The three Magi meet at the crossroads on their journey to Jerusalem.)
The Magi, also referred to as the (Three) Wise Men, (Three) Kings, or Kings from the East, were, according to Christianity, a group of distinguished foreigners who visited Jesus after his birth, bearing gifts of gold, frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of the Christian tradition.
Traditions identify a variety of different names for the Magi. In the Western Christian church they have been commonly known as:
Melchior (also Melichior), a Persian scholar Caspar (also Gaspar, Jaspar, Jaspas, Gathaspa, and other variations), an Indian scholar Balthazar (also Balthasar, Balthassar, and Bithisarea), an Arabian scholar
So you see mena7, by rights all of them should be Black.
I wonder if anyone caught the lie about these supposedly authentic 14th-15th manuscripts?
Unlike today, there was no confusion between Turks and Arabs at that time: Turks were the rulers of one of the worlds great empires (The Ottoman), and Arabs were their subjects. Islam was also the Turkish religion, not the Arab religion. Therefore Arabs were depicted as they really were.
Likewise Persians were still Black people at that time.
Well they still remember what they used to be (Pure Albino), so now they grovel at the feet of Europe's Albinos, begging for whatever crumbs they might get. But of course, as long as they are Brown and Islamist they will not be accepted.
HEADLINE:
Turkey accuses EU of bigotry, says its reforms are ignored
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The AU will not admit the Turk they are to dumb.Since the 1980 the Turk were trying to joined the EU but the racist EU who didnt want brown Turk crazy muslim to join were making excuses like you have to be a democratic country and respect human right.The Turk reform there system for the EU still the EU find more excuses.Turkey is a well organise and industrial country.They use to have many members in the Forbes 400.Turkey is not a poor country.Anatolia/Turkey since classical Greece to the Eastern Roman Byzantium Empire was always part of Europe.The modern Turk are a mixture of the original black and brown Anatolian and Byzantium Roman with the white Turkish invaders of central Asia.
The Turk mulato dont get it they have to much negro blood the EU will not allow them in.Hell the EU dont even like the brown Gypsy and Greek.I will ask the Turk in revenge stop kissing the but of the EU and USA and release the black European and Asian artifacts, arts they are hiding and also hundred of volumes of real history books.
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quote:Originally posted by mena7: Anatolia/Turkey since classical Greece to the Eastern Roman Byzantium Empire was always part of Europe. The modern Turk are a mixture of the original black and brown Anatolian and Byzantium Roman with the white Turkish invaders of central Asia.
The Turk mulatto don't get it they have too much negro blood the EU will not allow them in. Hell the EU don't even like the brown Gypsy and Greek. I will ask the Turk in revenge to stop kissing the butt of the EU and USA and release the black European and Asian artifacts, arts they are hiding, and also hundred of volumes of real history books.
To their credit, the Turks have released certain Black artifacts:
It may be that the major problem is that because it's not "Their" history, the Turks don't really give a sh1t about doing excavations - they are always done by foreigners.
Same reason why museums are routinely looted in the middle east, it's not their history, so why should they give a sh1t.
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Unlike today, there was no confusion between Turks and Arabs at that time: Turks were the rulers of one of the worlds great empires (The Ottoman), and Arabs were their subjects. Islam was also the Turkish religion, not the Arab religion. Therefore Arabs were depicted as they really were.
mena7 do you agree with this? Mike is saying "Islam was also the Turkish religion, not the Arab religion"
I went to Mike's website and he didn't mention this. There it says:
"The Prophet Muhammad, had made Medina his capital, and it was there that he died. Leadership then fell to Abu Bakr (632-634), Muhammad's father-in-law and the first of the four orthodox Caliphs, or temporal leaders of the Muslims. Umar followed him (634-644) and organized the governmental administration of captured provinces. The third caliph was Uthman (644-656), under whose administration the compilation of the Quran was accomplished."
Thus, after Muhammad's Islamic army took Egypt in 640 A.D. and then went on to conquer all of North Africa. The Berbers no-doubt saw this new Black army as an opportunity; so rather than fight, the Berbers joined forces with the Islamic army.
so Muhammad and Uthman, both Quraysh, were not Muslim and had nothing to do with the Quran ??? Posts: 42918 | From: , | Registered: Jan 2010
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The Broadview Anthology of Seventeenth-Century Verse and Prose.
[url= http://books.google.com/books?id=eSMJzC8NcasC&pg=PA1060&lpg=PA1060&dq=%22the+turkish+religion%22&source=bl&ots=zRt6fEb6LN&sig=wxvjhEaytOYo7nX7Zpzz2OSz1Is&hl=en&sa=X&ei=r8_hUJX0CMqL 0QHAuYFg&ved=0CF4Q6AEwBw#v=onepage&q=%22the%20turkish%20religion%22&f=false]Link to web page.[/url]
As you can clearly see, Islam was clearly referred to as the Turkish religion, NOT the Arab religion in past times.
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^BTW - I find it very interesting how while the Turk mulatto countries from North Africa to west Asia: fight and murder each other over Muslim correctness, plant bombs to force sharia law: their former masters, they who taught them what was supposedly correct in Islam in the first place, now proudly describe themselves thusly:
Turkey is a democratic, secular, unitary, constitutional republic with a diverse cultural heritage. (A secular state is a concept of secularism, whereby a state or country purports to be officially neutral in matters of religion, supporting neither religion nor irreligion).Posts: 22721 | Registered: Oct 2005
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As you can clearly see, Islam was clearly referred to as the Turkish religion, NOT the Arab religion in past times.
mena7 Mike says that the religion in Mecca beginning in the 7th century was not Islam and Muhammad had nothing to do with Islam.
Do you believ what Mike is saying? I've never heard this theory before that Islam is a Turkish religion. It's hard to believe that Mike actually believes this since it's not even in his website. If Islam is not an Arabian religion from Mecca then that is a pretty major historical revision
So which Turkish Sultan authorized the Quran to be written and when? And why don't the Turks of today say that Islam is Turkish rather than originally Arabian? Iron are you in agreement with your leader? Muhammad didn't found Islam and Emanuele Ne Vunda was not African?
Are you saying Islam Isn't-lam ?
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In your effort to twist truth, you have actually hit on something. In the past, Islamist posters have asserted that though Muhammad LIVED in Arabia, he was NOT Arab, but rather a Batrian.
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Lioness Islam of the Arab started as a Christian sect or a Christian heresy.The name Muhammad meaning worthy one was a title for Jesus Christ in West Asia.Early Islamic coin show a king holding a cross in front and the name Muhammad in the back.Maybe the Turk who took over West Asia from the Arab shaped the modern form of Islam.
Europeen Judaisme of the Khazar who took over Judaisme is very different from the original Ethiopian Judaisme and Lemba Judaisme.Europeen Catholic Church and Greek Orthodox Church are very different from the original Egyptian Gnostic Christian.
quote:Originally posted by mena7: Lioness Islam of the Arab started as a Christian sect or a Christian heresy.The name Muhammad meaning worthy one was a title for Jesus Christ in West Asia.Early Islamic coin show a king holding a cross in front and the name Muhammad in the back.Maybe the Turk who took over West Asia from the Arab shaped the modern form of Islam.
Europeen Judaisme of the Khazar who took over Judaisme is very different from the original Ethiopian Judaisme and Lemba Judaisme.Europeen Catholic Church and Greek Orthodox Church are very different from the original Egyptian Gnostic Christian.
where and in what century was the Quran written?
Mike says the Moors got their religion from the Turks
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Im happy to see the pictures of black Angel in renaissance European art.Before the slave trade the portrait of Jesus and Madonna in child was changed from being black people to white people.They started to portrait the devil black and brown instead of red.
I disagree with the article when they say the black Madonna and child have nothing to do with Africa.They stated the usual lie the Madonna and child are black because of the smoke of the pilgrims candles.The black Madonna and child are connected to Africa by the Godess Isis and baby Horus of Egypt.Black Isis and baby Horus was worshiped all over the Mediteranean world during the time of Ancient Egypt.During the Roman Empire black Isis and baby was worshiped in Rome and Italy.The Chritian black Madonna and child come from the worshiped of black Isis and baby Horus.
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The Metternich Stela, otherwise known as the Magical Stela, dates from the reign of Pharaoh Nectanebo II (380–343 B.C.) of the 30th Dynasty of Egypt. The kings of Dynasty 30 were the last native Egyptian rulers. The stela is made of Greywacke and measures: height - 2 ft. 8.9 in., width - 13.2 in., and depth - 5.7 in. It is generally considered to be the finest and most elaborate example of Egyptian magical stelae. The stela was made by an Egyptian priest named Esatum and was originally erected in a necropolis of sacred bulls. In 1828, the stela was presented by the Egyptian Khedive, Muhammad Ali, to the Chancellor of the Austrian Empire, Prince Metternich. The stela remained in the Metternich family until shortly before its purchase by The Metropolitan Museum of Art in 1950.
Nectanebo II was the last indigenous king of ancient Egypt. He struggled valiantly against the Persian empire only to be defeated in the end. After the lost battle, he fled to Upper Egypt, and nothing is known about his end.
7. In this large scene Horus stands with his feet upon the backs of two crocodiles, and he grasps in his hands the reptiles and animals which are the emblems of the foes of light and of the powers of evil. He wears the lock of youth, and above his head is the head of the old god Bes, who here symbolizes the Sun-god at eventide. The canopy under which he stands is held up by Thoth and Isis, each of whom stands upon a coiled up serpent, which has a knife stuck in his forehead. Above the canopy are the two Utchats, with human hands and arms attached, and within it by the sides of the god are:
1. Horus-Ra standing on a coiled up serpent. 2. A lotus standard, with plumes and menats. 3. A papyrus standard surmounted by a figure of a hawk wearing the crown.
On the back of the Stele we have a figure of the aged Sun-god in the form of a man-hawk, and he has above his head the heads of a number of animals, e.g., the oryx and the crocodile, and a pair of horns, and eight knives. He has four human arms, to two of which beings are attached, and in each hand he grasps two serpents, two knives, and "life," "stability," and "power," ; and numbers of figures of gods. His two other human arms are not attached to wings, and in one hand he holds the symbol of "life," and in the other a scepter.
From the head of the god proceed jets of fire, and on each side of him is an Utchat, which is provided with human hands and arms. The god stands upon an oval, within which are figures of a lion, two serpents, a jackal, a crocodile, a scorpion, a hippopotamus, and a turtle. Below this relief are five rows of figures of gods and mythological scenes, many of which are taken from the vignettes of the Book of the Dead. The gods and goddesses are for the most part solar deities who were believed to be occupied at all times in overcoming the powers of darkness, and they were sculptured on the Stele that the sight of them might terrify the fiends and prevent them from coming nigh unto the place where it was set up. There is not a god of any importance whose figure is not on it, and there is not a demon, or evil animal, or reptile who is not depicted upon it in a vanquished state.
The texts inscribed upon the Stele are as interesting as the figures of the gods, and relate to events which were believed to have taken place in the lives of Isis, Horus, etc. The first composition is called the "Chapter of the incantation of the Cat," and contains an address to Ra, who is besought to come to his daughter, for she has been bitten by a scorpion; the second composition, which is called simply "another Chapter," has contents somewhat similar to those of the first.
The third text is addressed to the "Old Man who becometh young in his season, the Aged One who maketh himself a child again." The fourth and following texts contain a narrative of the troubles of Isis which were caused by the malice of Set, and of her wanderings from city to city in the Delta, in the neighborhood of the Papyrus Swamps. The principal incident is the death of her son Horus, which took place whilst she was absent in a neighboring city, and was caused by the bite of a scorpion; in spite of all the care which Isis took in hiding her son, a scorpion managed to make its way into the presence of the boy, and it stung him until he died.
When Isis came back and found her child's dead body she was distraught and frantic with grief, and was inconsolable until Nephthys came and advised her to appeal to Thoth, the lord of words of power, She did so straightway, and Thoth stopped the Boat of Millions of Years in which Ra, the Sun-god, sailed, and came down to earth in answer to her cry; Thoth had already provided her with the words of power which enabled her to raise up Osiris from the dead, and he now bestowed upon her the means of restoring Horus to life, by supplying her with a series of incantations of irresistible might.
These Isis recited with due care, and in the proper tone of voice, and the poison was made to go forth from the body of Horus, and his strength was renewed, his heart once more occupied its throne, and all was well with him. Heaven and earth rejoiced at the sight of the restoration of the heir of Osiris, and the gods were filled with peace and content.
The whole Stele on which these texts and figures are found, is nothing but a talisman, or a gigantic amulet engraved with magical forms of gods and words of power, and it was undoubtedly, placed in some conspicuous place in a courtyard or in a house to protect the building and its inmates from the attacks of hostile beings, both visible and invisible, and its power was believed to be invincible.
The person who had been stung or bitten by a scorpion or any noxious beast or reptile was supposed to recite the incantations which Thoth had given to Isis, and which had produced such excellent results, and the Egyptians believed that because these words had on one occasion restored the dead to life, they would, whensoever they were uttered in a suitable tone of voice, and with appropriate gestures and ceremonies, never fail to produce a like effect. A knowledge of the gods and of the magical texts on the Stele was thought to make its possessor master of all the powers of heaven, and of earth, and of the Underworld.
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****, Mike. I posted the book with this picture(for a long time) but you have not looked. I've read that this image is of the Holy Roman Empire. I saw on google books. is probably some volume in this collection. The Image of the Black in Western Art
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the images in google books are blocked just buying the book. I do not know how but I saw the three blacks in the book.
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Picture of a black man beating Christ.The writer lie saying the man that beat Christ is portray black because is evil, ignorant and symbolise death.The man beating Christ is black because he symbolise the Jew that were black at the time of Christ.The Jew were persecuted as Christ killer in miedieval time.This is the proof the European of 14cent Europe new the Jew were black.
This is the same European lie about the European black nobility. They say they were called black because they were evil.The truth is the Euro nobility was call black because of their black blood either black, metis, mulato, quadroon, octoroon etc.
quote:Originally posted by mena7: [QB] Picture of a black man beating Christ.The writer lie saying the man that beat Christ is portray black because is evil, ignorant and symbolise death.The man beating Christ is black because he symbolise the Jew that were black at the time of Christ.The Jew were persecuted as Christ killer in miedieval time.This is the proof the European of 14cent Europe new the Jew were black.
You are forgetting Christ was a Jew
here is another part of the same Marnhull Orphrey
In the bible however, Roman soldiers beat Jesus. The Romans also had other ethnic groups in some oftheir armies. That doesn't mean this art is accurate though. Who is than man at right? He has medium brown skin like many people of the Mid East.
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The Roman catholic Church didnt teached the Europeen masses that Jesus was a Jew thats why they portray him as white so the white Europeen masses could identified with him.
In the last picture I see two mulatos guy beating white Jesus.The one on the left have light brown skin and curly hair, the one on the right have brown skin.They are either two brown Roman soldiers from South Italy or they are two brown Jews from Palestine.The Roman Church descendent of the Roman Empire blamed the crucifiction of Jesus on the Jew not on the Roman governor Pontius Pilate or the Roman soldiers.
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If Egmond were here That he would say the black revolutionaries painted the executioner as a black man for the white population to revolt against the black elite.
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